Materials Fee:Īlfred will contact students prior to class.Unlike Japanese techniques, Western methods utilize viscose, tacky inks (historically oil based) applied to blocks with rubber-like rollers, called brayers. Gary will contact students prior to class. Supply List: Sent prior to class and available online. (Contact The Clearing to get his contact information.) anything related to the class, feel free to contact Alfred. If you have questions about this, or aboutĬlearing. Regarding the class, you can contact him through The supplies. If you would like to speak with Gary paste, oil, two blocks of wood, instructions and other To be inspired by the many photo examples Gary will bring The kit includes gouges, a brush, ink, You may bring photos that are of interest to you or choose Car pooling is needed for this class. This kit costs about $70 and is available Level: All Levels protective gloves and a Japanese woodblock printmakingīob will contact students prior to class. Also bring an apron or smock,įollowed by much individual assistance. He will demonstrate technique and method, help create your prints. Please bring photos or drawings that you’d like to use to Has experience working with students of all ages and at all bring photographs or plans of your property. Gary develop ideas for your own home landscapes, feel free to Work comfortably at your own pace and ability level. If you want to No previous experience is necessary. In a class atmosphere that is casual and relaxed, you will pencil(s) or pen(s) and gardening gloves. This class is intended for all skill levels. (approximately 9-inch x 12-inch), colored pencils, drawing Moku-Hanga prints. Please bring the following supplies for this class: sketchbook acquire the skills, materials and desire to continue making own unique drawing from fine-grained Shina plywood ontoĮxplore the many ways you can use watercolor to capture beautiful Japanese paper. Know it intimately, then join this class at The Clearing to creating sustainable landscapes today. Get to you’ll learn how to apply principles of Jensen’s design work in In this class, you will learn to hand-carve and print your Finally,Īs a great, ever-changing, non-objective painting. Gary urges students to observe the sky often, thinking of it shaped Jensen’s thinking or that Jensen influenced. You’ll also explore sites in Door County that may have based. modifying the property for his family’s retreat and later as the few simple tools, a small work space and is entirely water. Medium for capturing the wonder and enigma of the conditions Jensen encountered and how he began and toxic solvents. You’ll study the ecological methods involve complex printing presses, oil-based inks And watercolor is the perfect lifetime and in the years since. Activity in the sky can complement a scene and you’ll explore how The Clearing evolved during Jensen’s and fine-grained wood. Should suggest a mood and tonality which unifies the provide an overview of Jensen’s work throughout his career, basic carving and rubbing tools, beautiful Japanese paper Bob will old Japanese technique that employs water-based ink, What’s going on in the sky approach to landscape design than at The Clearing. On the contrary, an interesting cloud formation orĪ mystical glow cast by the sun or moon can become a There’s no better place to learn about Jens Jensen’s unique Moku-Hanga means “wood print.” It’s a simple, centuries-Ĭentral theme in a scene. The sky need not be an afterthought, added late to finish a Bob Grese PAINTING THE SKY WITH WATERCOLORS LANDSCAPE DESIGN:
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